Mass production, mass machinery, and the modern era did away with ornament. What followed was a world of form and clean surfaces that ran along the walls and art, the world over. We take this movement, add superior finishing (including double gilding), and come away with a collection of thoughtful enterprise and sophistication, with little to no distress, antique, or any other element that distracts, it pushes one back, much like modern architecture, the modern frame is not conducive to gathering, but more selfish, imposing, thus creating a dynamic where one looks upon it and does not integrate within it. While certainly cold and distant comparatively to the ornament laden frames of the past, it is entirely empowering at the same time.
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